Edirol Super Quartet VSTi v1.52. Maxx ClasterToxicIII v1.2 VSTi. Steinberg Hypersonic v1.0 VSTi. Steinberg LM-9 VSTi v1.0. Synthepolis nrg-A VSTi v1.0. Camel Audio Cameleon 5000 v1.6 VSTi. Applied Acoustics String Studio VS-1 VSTi v1.0. WWAYM NWSynth VSTi v1.3. Rob Papen Blue VSTi v1.01 reFX Slayer v2.5.3.

Sound designer Rob Papen has announced that Albino 3, his collaboration with Linplug, will be discontinued at the end of 2012: As you might know, a few years ago I asked LinPlug do build a custom synthesizer, with my specs and ideas added. And last but not least my presets added. Since a few years I formed a own team with Jon Ayres (RPCX) and together we build some great products which I also fully can backup. The other products reflect far more the direction I wanted to go (sound wise and feature wise). Therefore I decided to stop this product which was build in conjunction with Linplug. We offer cross grade to Predator. So in case you do not own Predator yet, but own Albino, you can contact us.

Papen says to contact them via his. I think it depends on how MUCH the cross-grade costs. The inference that Papen is being greedy doesn’t quite ring true, IMO. Coding takes a LOT of time; you have to decide where to expend your time and assets, same as with anything else.

Also, to address the digs at both hardware and software c’mon, both are transient. Hardware DOES tend to last longer, but it’ll croak, same as software will become outdated. The way I chose to address it was to buy Autosampler. I’m saving everything I have as EXS24 files. Its about 95% successful. Yes, you lose a bit of the immediacy of a live analog synth, for example, but you can build and layer samples deeply with Autosampler. Very “touch-sensitive” patches are easy to create.

I’m finding the bulk of what matters the most to me is being saved from my beloved, dying old workstation. For every problem, there is a fix; for every “bad” synth, there are 20 that are smokin’. You guys are partly right, but partly mistaken, too. This realm has a lot of headaches, sure, but if you focus sensibly, its bloody great, too. Oh well, Albino isn’t about to evaporate from my hard drive on the arrival of such news. Microsoft Word 2007 Indir Tamindir Program.

It’s a good synth as is and if no further development is forthcoming, them’s the breaks. Software products tend to come and go – we should enjoy them in the now. Crossing The Rubicon Raja Mohan Pdf File.

I take consolation from the fact that Predator, which I’ve been using for a fair while, is as super-duper a slice of soft synth as its unpigmented forebear and gladly anticipate futher development. If Rob plans to pursue Predator to his financial betterment, then fair play.

Developers of his calibre deserve to be well rewarded and it’s not as though Papen products are overpriced.

Albino gets everything on a single control panel by toggling the oscillator, filter, modulator, and effects sections between different elements. Analog Style Each of Albino's four layers has four oscillators, and each oscillator can function as an analog or digital waveform generator, a noise source, or an external input. The digital oscillators mix spectral waveforms and sound decidedly different from the analog oscillators, which generate their waveforms in real time and then mix in a suboscillator an octave below the fundamental. A Spread control activates as many as five panned and detuned voices per oscillator. You can send each oscillator to either or both of Albino's filters, and you get a variety of frequency- and amplitude-modulation routings among the oscillators and filters.

You can arrange Albino's two filters in series or parallel, and each filter is preceded by an overdrive-saturation effect. The three multimode-filter variants — Silk, Cream, and Scream — differ in both the modes they offer and their characteristic sound. Scream is new to Albino 3, and as you might guess, it is nasty.

Also new in Albino 3, you can configure either filter as a comb filter. The signal path ends in four identical stereo multi-effects units that you can arrange in series or parallel. All the usual suspects are accounted for: chorus, phaser, flanger, filter, reverb, gate, compressor, and distortion. The Swirl Factor Modulation has always been a LinPlug strength, and Albino 3 doesn't disappoint. A 16-row modulation matrix routes 4 LFOs, 8 envelope generators, a 32-step arpeggiator, and various MIDI messages to practically any Albino parameter. Furthermore, Albino's robust MIDI Learn implementation lets you assign any MIDI continuous controller to any parameter, and you can save MIDI setups to disk. The multiwaveform LFOs have their own delay, attack, and decay controls and optionally sync to tempo.